1A. What are the decrees affecting Kodak’s actions?
The decrees affecting Eastman Kodak are the 1921 and
1954 consent decrees. A consent decree is a court order to which all parties
have agreed. It is often done after a settlement between the parties that is
subject to approval by the court (Legal Information Institute, n.d.). Consent
decrees are mutually binding agreements between two parties, and are sometimes
referred to as consent orders (“What Are Consent Decrees?”, 2017).
1B. Why were
they put into place?
The Eastman Kodak Co.was said to have been in
violation of the Sherman Act (Section 2).
According to U.S. Department of Justice, section 2 of
the Sherman Act, makes it unlawful for any person to "monopolize, or
attempt to monopolize, or combine or conspire with any other person(s) to
monopolize any part of the trade or commerce among the several States, or with
foreign nation. Core offense focus being “monopolization," "attempted
monopolization" and "conspiracy to monopolize." (“Competition
and Monopoly”, n.d.).
Government initiated antitrust enforcement proceedings
at the beginning of 20th century,these proceedings led to district court
finding in 1915, finding that stated that Kodak had monopolized the amateur
camera, film, and photofinishing industries through acquisitions and a variety
of exclusionary practices. In 1921 while the appeal against this ruling was
pending, Kodak entered into The 1921 consent decree with the US government
simultaneously withdrawing the pending Supreme court appeal (“Case Law: US v
Eastman Kodak”, 2013).
Then in 1954, the consent decree requires Kodak to
share it’s photofinishing technology with other players in the industry and it
was to stop Kodak from offering bundle good and service, specifically that of
photofilm sales and photofinishing services together for consumers. As this act
further perpetuated their monopoly of both industries at 90% market share as at
time of decree.
Reference
Case Law: US v
Eastman Kodak, (2013). Retrieved from
https://caselaw.findlaw.com/us-2nd-circuit/1300513.html
Competition And
Monopoly: Single Firm Conduct Under Section 2 of Sherman Act (n.d.). Retrieved
from
https://www.justice.gov/atr/competition-and-monopoly-single-firm-conduct-under-section-2-sherman-act-chapter-1
Legal Information
Institute: Consent Decree (n.d.). Cornell Law School. Retrieved from
https://www.law.cornell.edu/wex/consent_decree
What Are Consent
Decrees? (2017). Retrieved from
https://www.criminaljusticeprograms.com/articles/what-are-consent-decrees/
2 A. Who are
the competitors for Kodak?
Kodak’s competitors are:
3M
Agfa-Gevaert
Konica
Fuji
2B. What market
share does Kodak have compared to its rivals?
In 1915 Kodak had 75-80%
In 1954 Kodak had 90% of the color film market and
because photo film was sold in a bundle package deal with photo finishing, it
also had 90% of photo finish industry. In the mid 90s, all five competitors in
the amateur color negative film manufacture are “well-financed, billion-dollar,
multinational corporations selling film all over the world.” World Market:
Kodak - 36%
3M - 4%
Agfa-Gevaert - 10%
Konica - 16%
Fuji - 34%
(“Case Law: US v Eastman Kodak”, 2013).
US Market:
Kodak - 67% (units) 75% (revenue)
Fuji - 10% (units) 11-12% (revenue)
(Baye & Scholten, 2006).
2C. What
competitive advantages does Kodak have?
Consumer taste accounts for one advantage, 50% of
consumers only purchased items from Kodak and another 40% had a preference for
Kodak.
Distribution chanels and sources, 241,000 stores had
Kodak products, its closest competitor had way less than 80,000 stores selling
its brand in the US, though Fuji had the Japanese market locked with Kodak
having only 10% in the country, but US has the numbers.
Technological advantages the fact that George Eastman
who started the Eastman Dry Plate company invented through himself and his
company invented: machines that coated photographic plates (patent), paper roll
film, perforated celluloid film, color film, instamatic camera, digital camera,
easy share one digital etcetera (Asif-Al-Nor et al 2012).
They had a high design to market cycle times and high
quality.
Please note Fuji had similar but was unable to make as
much sales despite 10% lower price offer, due to the other advantages.
Reference
Asif-Al-Nor, M.,
Masharan, M. & Richard, M. (2012). Case Presentation: Kodak Strategy.
Retrieved from https://www.slideshare.net/mobile/marshalrichard/kodak-strategy
Baye, M. &
Scholten, P. (2006). Managerial Economics and Business Strategy. The
McGraw-Hill Companies, Inc. Retrieved from
https://online.calmu.edu/pluginfile.php/136760/mod_resource/content/4/Baye_kodak_case_5e.pdf
Case Law: US v
Eastman Kodak, (2013). Retrieved from https://caselaw.findlaw.com/us-2nd-circuit/1300513.html
3. What is the
relevant geographic product market for film?
A relevant geographic market is the area in which it
would be possible to exercise power (power in this instance is the ability of a
firm to exercise market power) (Baye & Scholten, 2006).
According to the district court, Geographic product
market for film include not only the United States, but also Japan and Western
Europe (collectively “the world-wide market” (“Crase Law: US v Eastman Kodak”,
2013). And the district court saw Kodak’s thirty-percent world share to be too
small to give rise to an inference of market power, particularly in light of
the low barriers to entry But Government states that since Kodak can exercise
market power in the United States, then the United States is the relevant
market for purposes of this case. Especially because of the court’s findings of
Kodak’s own demand elasticity of 2, which indicates that it is pricing at twice
its marginal cost, with same quality as some in the US market. Also these
actions are inconsistent with the world market.
Reference
Baye, M. &
Scholten, P. (2006). Managerial Economics and Business Strategy. The
McGraw-Hill Companies, Inc. Retrieved from https://online.calmu.edu/pluginfile.php/136760/mod_resource/content/4/Baye_kodak_case_5e.pdf
Case Law: US v
Eastman Kodak, (2013). Retrieved from
https://caselaw.findlaw.com/us-2nd-circuit/1300513.html
4. What
evidence does the government provide that Kodak still maintains significant
market power in the United States?
Kodak’s premium pricing despite competitors “same
quality” product reflects continued market manipulation.
Even with the consent decrees in effect for decades,
Kodak's still has 67%-75% share of U.S. film sales which is only a little lower
than 1915’s findings of 75%-80% share when Kodak had been found in acts of film
industry monopolization (Baye &
Scholten, 2006).
In a competitive market, Fuji’s 10% lower price should
have increased demand, instead the company only had 10% of US market sales.
Price was t 100% of marginal cost and even a
5%increase in price would only provoke a 10% reduction of sales.
These, the government stated was enough reason to not
revoke the decrees as Kodak still maintained market power.
Reference
Baye, M. &
Scholten, P. (2006). Managerial Economics and Business Strategy. The
McGraw-Hill Companies, Inc. Retrieved from
https://online.calmu.edu/pluginfile.php/136760/mod_resource/content/4/Baye_kodak_case_5e.pdf
Case Law: US v
Eastman Kodak, (2013). Retrieved from
https://caselaw.findlaw.com/us-2nd-circuit/1300513.html
5A. What risks
are associated with terminating the decrees?
The termination of the consent decrees especially as
regards to the fact that the purpose of the consent decrees had not been
achieved which endangers the enforcement of antitrust laws.
Continued monopolization of the film industry by Kodak
through “image pricing” and premium.
Unencumbered wielding of market power in the US market
which will in turn affect consumers, giving them less and eventually no-choice.
Kodak no longer needs to license or share and teach
technology to competitors, assures continued market dominance, creation of
market entry barriers.
There will be less drive if any, to minimize
production cost whenever possible, so as to offer consumers better selling
price to increase demand..
5B. More
specifically, what actions might Kodak take that would hurt competition or
unfairly hurt competitors?
Return to bundling packages, which they tried to
promote with Ofoto, Kodak purchased Ofoto to try to get more people to print
digital images. It eventually sold the site to Shutterfly as part of its
bankruptcy plan for less than $25 million in April 2012 (Anthony, 2016).
With film industry , at a certain point the entry
barriers were high. Only two competitors Fujifilm and Agfa-Gevaert had enough
expertise and production scale to challenge Kodak seriously (Shih, 2016).
Kodak will again practice anticompetitive sales and
distribution tactics, that is, return to restraining dealers from showcasing or
selling other brands that is not Kodak, start offering incentives for higher
sale of Kodak products to the dealers (Section 6 & 7).
Kodak will again start selling private-label films and
not show ping clearly that Kodak is the manufacturer. (Section X, 1921 decree)
The 1921 consent decree’s short term requirement of
Kodak to divest itself of alot of its acquisitions so as to “effectually dissolve
the combination found to exist in violation of the [antitrust] statute.”
(“Crase Law: US v Eastman Kodak”, 2013). will be reversed by Kodak, hence Kodak
will continue on an oligopoly-making spree.
Conclusively,
Despite the victory in 1994 case, the world was in the
midst of a disruptive innovation and transition, according to Shih, “the
transition from analog to digital imaging brought several challenges. 1st,
digital imaging was based on a general-purpose semiconductor technology
platform that had nothing to do with film manufacturing it had its own scale
and learning curves” (2016), 2nd technological innovations were not enough to
remain relevant some level of continuous reinvention was needed, 3rd,
leadership Minoru Ohinishi -Fuji CEO 1980, his response to being held to ransom
by the Hunt brothers’ play on Silver, (a required raw material for production)
set the company on a course that was less reliant (at least on silver). This
reconfiguration was continued by Shigetaka Komori even though it led to loss of
thousands of jobs, it was a stitch in time for Fuji, which Kodak tried to do
several years later but it was too little too late (Gunther, 2013).
Hence Kodak continued to struggle. “In 2012, after
experiencing a 98% drop in its core film business over the last decade, it
declared bankruptcy, and sold pieces of its business to Shutterfly, Google,
Apple, Facebook, and others. Kodak even sold its crown jewel; the film and
photo paper business. Now back from bankruptcy, Kodak is a much smaller company
focused on commercial imaging” (Beckett, 2014).
Reference
Anthony S. (2016,
July 15th). Kodak’s Downfall Wasn’t About Technology. Retrieved from
https://hbr.org/2016/07/kodaks-downfall-wasnt-about-technology
Beckett S (2014).
On Remaand: Kodak Moments In The Courtroom Retrieved from
https://abovethelaw.com/2014/06/on-remand-kodak-moments-in-the-courtroom/?rf=1
Gunther, R. G.
(2013). The End of Competitive Advantage: How To Keep Your Strategy Moving As
Fast As Your Buisness. Harvard Business Review Press. Retrieved
from https://books.google.com/books/about/The_End_of_Competitive_Advantage.html?id=LtWU3OxrIgQC&printsec=frontcover&source=kp_read_button
Shih, W. 2016 The
Real Lessons From Kodak’s Decline. MIT Sloan Management Review. Retrieved from
https://sloanreview.mit.edu/article/the-real-lessons-from-kodaks-decline/
The case study focuses on Kodak's appeal to the court to terminate the 1921 and 1954 decrees that imposed restrictions on its pricing policies. Godaddy Voucher This move signifies Kodak's desire to regain flexibility.
ReplyDelete